Bibliography
Auge, Jean-Louis. “Goya et le Langage Universel.” Le Caprice et L’Espagne: Une Forme Artistique Transgressive. Ed. Pascale Peyraga. 252p. Paris: L’Harmattan, 2007. Print.
Baxter, Ron. Bestiaries and their Users in the Middle Ages. London: Courtauld Institute, 1998. Print.
Bovey, Alixe. Monsters and Grotesques in Medieval Manuscripts. Toronto: University of Toronto Press Incorporated, 2002. Print.
Brown, Carmen. “Bestiary Lessons on Pride and Lust.” The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. Ed. Debra Hassig, 18p.: 3 ill. New York: Garland, a member of the Taylor & Francis Group, 1999. Print.
Clark, Willene B. and Meredith T. McMunn. Beasts and Birds of the Middle Ages: The Bestiary and Its Legacy. Philadelphia: University of Pennsylvania Press, 1989. Print.
Delacampagne, Ariane and Christian Delacampagne. Here Be Dragons: A Fantastic Bestiary. New Jersey: Princeton University Press, 2003. Print.
Dowling, John. “The Crisis of the Spanish Enlightenment: Capricho 43 and Goya’s Second Portrait of Jovellanos.” Eighteenth Century Studies 18.3 (1985): 331-359. Print.
Goya, Francisco, Alfonso E. Pérez Sánchez, and Julián Gállego. Goya: The Complete Etchings and Lithographs. Munich: Prestel, 1995. Print.
Goya, Francisco, and Oto Bihalji-Merin. Caprichos, their Hidden Truth. New York: Harcourt Brace Jovanovich, 1991. Print.
Goya, Francisco. Los Caprichos. New York: Dover Publications, Inc., 1969. Print.
Hassig, Debra. Medieval Bestiaries: Text, Image, Ideology. Cambridge: Cambridge University Press, 1995. Print.
Hassig, Debra. “Sex in the Bestiaries.” The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. Ed. Debra Hassig, 27 p.: 4 ill. New York: Garland, a member of the Taylor & Francis Group, 1999. Print.
Keller, John Esten, and Annette Grant Cash. Daily Life Depicted in the Cantigas de Santa Maria. Kentucky: The University Press of Kentucky, 1998. Print.
Klingender, Francis Donald. Goya in the Democratic Tradition. London: Sidgwick and Jackson, 1948. Print.
Miyazaki, Mariko. “Misericord Owls and Medieval Anti-Semitism.” The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. Ed. Debra Hassig, 27 p.: 4 ill. New York: Garland, Taylor & Francis, 1999. Print.
Payne, Anne. Medieval Beasts. London: The British Library Board, 1990. Print.
Ripa, Cesare. Iconologia. Original Publication 1593. Web. 1 Dec. 2010.
Schmidt, Rachel. Critical Images: The Canonization of Don Quixote through Illustrated Editions of the Eighteenth Century. Acumen Publishing. 1999. Print.
Schulz, Andrew, and Francisco de Goya. Aesthetics, Perception, and the Body. Cambridge: Cambridge University Press. 2005. Print.
Sill, Gertrude Grace. A Handbook of Symbols in Christian Art. Austin: Touchstone. 1996. Print.
Syme, Alison. “Taboos and the Holy in Bodley 764.” The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature, Ed. Debra Hassig. New York: Garland, Taylor & Francis Group, 1999. Print.
Stoichita, Victor Ieronim, and Anna Maria Coderch. Goya: The Last Carnival. London: Reaktion Books, 1995. Print.
Tomlinson, Janis. A. Goya in the Twilight of the Enlightenment. Connecticut: Yale University Press. 1992. Print.
Verner, Lisa. “The Bestiary.” The Epistemology of the Monstrous in the Middle Ages, 91-121. New York: Routledge, 2005. Print.
