Article Index
- Volume 1 (1985)
- Volume 2 (1987)
- Volume 3 (1988)
- Volume 4 (1989)
- Volume 5 (1990-1991)
- Volume 6 (1992)
- Volume 7 (1993)
- Volume 8 (1994)
- Volume 9 (2001)
- Volume 10 (2003)
- Volume 11 (2004)
- Volume 12 (2005)
- Volume 13 (2006)
- Volume 14 (2007) Current Issue
Index of articles and reviews published in THEORIA vol. 1-10
Vol. 1 (1985)
Articles
- Willaim E. Caplin, Hugo Riemann’s Theory of “Dynamic Shading”: A Theory of Musical Meter?
- Floyd K. Grave, Metrical Displacement and the Compound Measure in Eighteenth-Century Theory and Practic
- Russell E. Murray, Jr., The Influence of the Cantus Firmus on Modal Structure in the Masses of Antoine Brumel
- Mindy D. Horowitz, Modulation and the Tonoi according to Aristides Quintilianus
- Daniel Werts, The Musical Circle of Johannes Mattheson
- Mark McCune, Hugo Riemann’s “Ueber Tonalität”: A Translation
Vol. 2 (1987)
Articles
- David Lewin, Concerning the Inspired Revelation of F.-J. Fétis
- P. Murray Dineen, Schoenberg’s Concept of Neutralization
- Jane Piper Clendinning, Zarlino and the Helicon of Ptolemy: A Translation with Commentary of Book III, Chapter III of Gioseffo Zarlino’s Sopplimenti Musicali
- Elizabeth West Marvin, Tonpsychologie and Musikpsychologie: Historical Perspectives on the Study of Music Perception
- Richard Devore, Nineteenth-Century Harmonic Dualism in the United States
Review
- W. T. Atcherson, Handwörterbuch der musikalischen Terminologie
Vol. 3 (1988)
Articles
- Kevin Korsyn, Schenker and Kantian Epistemology
- Harald Krebs, Schenker’s Changing View of Rameau: A Comparison of Remarks in Harmony, Counterpoint, and “Rameau of Beethoven?”
- William Renwick, Brackets and Beams in Schenker’s Graphic Notation
Translations
- William Pastille, The Spirit of Music Technique
- Wayne Petty, Haydn: Sonata in E-flat Major
Review
- William Pastille, Strict Counterpoint and Free Composition: Review/ Essay on the Rothgeb/Thym translation of Schenker’s Kontrapunkt
Vol. 4 (1989)
Articles
- Benito Rivera, Zarlino’s Approach to Counterpoint Modified and Transmitted by Seth Calvisius
- Lee Rothfarb, Ernst Kurth’s Die Voraussetzungen der theoretischen Harmonik and the Beginnings of Music Psychology
- David Bernstein, Georg Capellen on Tristan und Isolde: Analytical Systems in Conflict at the Turn of the Twentieth Century
- Jim Levy, Joseph Amiot and Enlightenment Speculation of the Origin of Pythagorean Tuning in China
- Roger Graybill, Sonata Form and Reicha’s Grande Coupe Binaire of 1814
- Mary C. Tilton, The Influence of Psalm Tone and Mode on the Structure of the Phrygian Toccatas of Claudio Merulo
Review
- Paul A. Laprade, Treatise on Harpsichord Tuning by Jean Denis, translated by Vincent J. Panetta
Vol. 5 (1990-1991)
Articles
- Richard Semmens, Sauveur and the Absolute Frequency of Pitch
- Timothy A. Johnson, Solmization in English Treatises Around the Turn of the Seventeenth Century: A Break from Modal Theory
- Norman L. Wick, An Historical Approach to Six-Four Chords
- Janna Saslaw, Gottfried Weber and Multiple Meaning
Vol. 6 (1992)
Articles
- Ian Bent, History of Music Theory: Margin or Center?
- David Bernstein, Schoenberg Contra Riemann: Stufen, Regions, Verwandtschaft, and the Theory of Tonal Function
- Dave Headlam Fritz, Heinrich Klein's “Die Grenze der Halbtonwelt” and Die Maschine.
- Robert Snarrenberg, Schenker’s Sense of Concealment
- Luann R. Dragone, François Campion’s Treatise on Accompaniment: A Translation and Commentary
Vol. 7 (1993)
Articles
- David E. Cohen, Metaphysics, Ideology, Discipline: Consonance, Dissonance, and the Foundations of Western Polyphony
- Joel Lester, Composition Made Easy: Bontempi’s Nova methodus of 1660
- Denis Collins, Zarlino and Berardi as Teachers of Canon
- Graham H. Phipps, The “Nature of Things” and the Evolution of Nineteenth-Century Musical Style: An Essay on Carl Dahlhaus’s Studies on the Origin of Harmonic Tonality
Review
- Jane Piper Clendinning, Composition Theory in the Eighteenth Century by Joel Lester
Vol. 8 (1994)
Articles
- Robert N. Freeman, Johann Georg Albrechtsberger’s 26 canoni aperti dei varii autori: The Edition
- Denis Collins, Canon and Music Pedagogy 1500-1800
- Sandra Pinegar, On Rhythmic Modes
- Charlotte M. Cross, Schoenberg’s Earliest Thoughts on the Theory of Composition: A Fragment from c. 1900
Review
Vol. 9 (2001)
Articles
- Mark J. Butler, De Grammatica et Musica: Grammatical Analogies in Medieval Music Treatises and Their Applications in Gregorian Chant
- Allen Scott, Bobization and Bebization: Two Alternative Solmization Systems of the Early Seventeenth Century
- Paul Murphy, Thoroughbass Accompaniment in the Rigorous Spanish Style and the Italian Style: José de Torres’s Reglas generals (1702, 1736)
- Joe Brumbeloe, Implication of Modulation for Temporal Organization in Selected Eighteenth-Century Theoretical Sources
Reviews
- Karl Braunschweig, Review of Dietrich Bartel’s Musica Poetica
- Mark McFarland, Review of Jonathan Cross’s The Stravinsky Legacy
Vol. 10 (2003)
Articles
- Gene J. Cho, Quest and the Discovery of the Equal Temperament
- Russell E Murray, The Theorist as Critical Listener: Pietro Pontio's Nine Cause di Varietà
- Klaus-Jürgen Sachs, Index to the Treatises of Pietro Pontio
- Matthew Riley, Ernst Kurth's Bach: Musical Linearity and Expressionist Aesthetics
Review
- Ralph Lorenz, Review of Schubert's Modal Counterpoint
Vol. 11 (2004)
Articles
- Timothy McKinney, “Affectus mire hercules ubique expressit” Heinrich Glarean on Text and Tone in Josquin’s Planxit autem
- David Deborah Burton, Padre Martini's Preface to his Esemplare, Part II: An Original Translation
- Kheng Keow Koay, A Reflection of Moment Form in Sofia Gubaidulina’s String Quartet No. 3
Vol. 12 (2005)
Articles
- James McKay, Linear Issues in the Harmony Treatises of Rameau and Kirnberger
- Byron Almén, Musical "Temperament": Theorists and the Functions of Music Analysis
- Benjamin Whitcomb, Reinventing the Ear--Twentieth-Century Theories of Pitch Perception and the Coincidence Theory of Consonance
- Lauri Surpää, Title, Structure and Rhetoric in the Second Movement of Mozart’s Piano Concerto K. 488
Vol. 13 (2006)
Articles
- Markus Waldura, Musical Rhetoric and the Modern Concept of Musical Period--A New Perspective on 18th-Century German Theories of Musical Periodicity. Part One
- Christoph Hust, On the Methods, Goals, and Limitations of Music Analysis. The Haydn Lectures of Peter Cornelius
- Nora Engebretsen, The Music of the Future and The End of Art--C. F. Weitzmann's "Geschichte der Harmonie und ihrer Lehre"
- Edward Gollin, Some Further Notes on the History of the Tonnetz
- Nico Schüler, Towards a History and Evaluation of Statistical and Information-Theoretical Analysis of Melodic Incipits
Review
- Peter Kaminsky, Engaging Music--Essays in Music Analysis, edited by Deborah Stein, Oxford: Oxford University Press 2005
Vol. 14 (2007) Current Issue
Articles
- Kyle Adams, Theories of Chromaticism from the Late Sixteenth to the Early Eighteenth Century
- David Beach, Georg Andreas Sorge--Genealogia allegorica intervallorum octavae diatono-chromaticae. Translation and Edition
- Stefan Eckert, Einschnitt, Absatz, and Cadenz--The Description of Galant Syntax in Joseph Riepel's Anfangsgruende zur musicalischen Setzkunst
- Markus Waldura, Musical Rhetoric and the Modern Concept of Musical Period--A New Perspective on 18th Century German Theories of Musical Periodicity. Part One
- Graham Phipps, Die Erscheinungen and Brahms--A Critical Essay on Peter H. Smith's Expressive Forms in Brahms's Instrumental Music
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