Published this month

Latham draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental question about twentieth-century music: why does tonality persist in opera, even after it has been abandoned in other genres? Combining the analytical approaches of the leading music and dramatic theorists of the twentieth century—Austrian music theorist Heinrich Schenker (1868-1935) and Russian director Constantin Stanislavsky (1863-1938)—Edward D. Latham reveals insights into works by Scott Joplin, George Gershwin, Kurt Weill, and Aaron Copland that are relevant to analysts, opera directors, and performers alike.  More details on Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas

The Best from Helen Corbitt's Kitchens	Mexican Light / Cocina Mexicana Ligera: Healthy Cuisine for Today's Cook / Para el Cocinero Actual Kris Rudolph	William & Rosalie: A Holocaust Testimony William Schiff, Rosalie Schiff, and Craig Hanley
A Sniper in the Tower: The Charles Whitman Murders Gary M. Lavergne	Murder on the White Sands: The Disappearance of Albert and Henry Fountain Corey Recko	The Alamo Frank Thompson
Rattler One-Seven: A Vietnam Helicopter Pilot's War Story Chuck Gross	Minding the Store Stanley V. Marcus	The Texas Cookbook: From Barbecue to Banquet - An Informal View of Dining and Entertaining the Texas Way Mary Faulk Koock
A Life on Paper : The Drawings and Lithographs of John Thomas Biggers Olive Jensen Theisen	Risk, Courage, and Women: Contemporary Voices in Prose and Poetry	Special Needs, Special Horses: A Guide to the Benefits of Therapeutic Riding Naomi Scott

Bargain Books for under $10.00

For a limited time our distributor will be selling select titles for under $10.00. Prices are good for as long as supplies last. The button below will take you to our distributor's website in a new window.